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Lately, finishing songs has been harder than starting them. not because I don’t have ideas. but because I don’t know which one to commit to. I’ve been deep in my leon taro. artist project recently, and if anything, there are too many directions each song could go. I’ve explored different hook ideas. and tested multiple versions of the same song. on paper, that sounds like progress. in reality, it’s created more noise. more options. I used to think getting something right meant exploring every possible angle. but at a certain point, more exploration just delays the decision. and that delay starts to look a lot like perfectionism. I’ve felt that recently. sitting with a track that’s close, but not quite landing. tweaking small details. but that version rarely shows up on its own. it usually comes from committing to something and shaping everything else around it. One thing I’ve learned over time is to not get too emotionally attached to every version. early on, I'd take feedback personally. now it’s more about stepping back, listening again, and deciding what actually serves the record. not what feels safe. When I feel a bit lost on a track, I export every version I’ve made and sit with them properly. no tweaking. just listening. and I come back to the same two questions that are shaping every leon taro. release right now: does this song have movement, emotionally, energetically, or rhythmically? because the hardest part isn’t making music. It’s deciding what the song is. and if you’re stuck on something right now, it might not be because of a lack of ideas. it might just be that you haven’t committed to one yet. lately I’ve been setting a simple rule for myself. pick a direction. because that’s the part that actually finishes songs. |
An insight into my creative world, sharing my knowledge and experience, to help artists, songwriters and producers take their careers to the next level.
when I first started making music, I thought getting better meant learning more. another tutorial. another plugin. another songwriting technique. another mixing trick. and to be fair, all of those things helped. they taught me how to create. but over the last few years, I've realised the biggest breakthroughs in my career didn't come from learning new techniques. they came from learning how to think differently about the techniques I already knew. this really hit me over the last couple of...
lately i've been thinking a lot about creativity. not creativity itself. but the way we talk about it. i think we've romanticised the idea that great work arrives out of nowhere. one perfect idea. one magical afternoon. one moment where inspiration suddenly strikes. and then somehow... you create something incredible. if i'm honest, i used to think like that too. i'd wait until i felt creative. until i felt motivated. until it felt like the right day to write. but over the years, i've...
lately i've been thinking a lot about attention. not how to get it. but who it's actually coming from. everywhere you look, someone is trying to grab a few seconds of your time. another reel. another ad. another "you need this." and if i'm honest, i catch myself doing it too. trying to find better hooks. better ways to get people to stop scrolling. because that's the game now. attention feels like the currency. but i'm starting to wonder if we've become so obsessed with getting attention that...