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there comes a point where your song stops belonging to you. I'm three songs into releasing music from my album. and while I've learned plenty about ads, playlists, release strategy and what works, the biggest lesson hasn't really been about any of that. it's been about letting go. when you make something, it's near impossible not to attach expectations to it. this song should do well. this playlist should accept it. people should care. and if you've spent weeks or months making something, that feeling only gets stronger. you start to believe that if you make the right decisions, you can somehow control what happens next. but you can't. all you can do is make the best work you possibly can. you can promote it, pitch it, spend money on it and give it the best chance for success. but once it's out in the world, you don't get to decide what resonates. everyone else does. and that's a weirdly freeing thing to realise. the third single came out in the middle of absolute chaos. I was finding somewhere new to live, packing up my house, dismantling and rebuilding my studio, keeping my business running, friends were visiting from abroad, and I was trying to maintain some version of normal life. I didn't have the time or headspace to give the release the same rollout I gave the previous two singles. and weirdly, I cared less. not about the music. I cared less about trying to control the outcome. the song still came out. and after two weeks, it passed 10,000 streams. last year I would have looked at that number and thought it wasn't good enough. previous label-supported records have done thousands of streams a day. but this feels different. this feels like I'm building something slowly. watching a body of work take shape. I'm seeing real people discover it. getting messages from people who genuinely connect with the songs. a radio play matters. a playlist add matters. someone taking the time to message me and say they love a track matters. I'm learning to appreciate those things more instead of immediately asking what should have happened next. and I think that's the shift. not every song has to prove the whole project. and not everything you make has to be a success. some songs will connect more than others. some ads will work. some will completely bomb. some playlists will say yes. most will say no. but that's part of putting your work into the world. you can't predict what someone will connect with. and you can't let the response to one piece of work determine how you feel about the next one. music is subjective. creative work is subjective. your job is to make something you're proud of, put it out there, and keep going. you can care deeply about what you make without needing to control what happens to it. so make the work. give it the best chance you can. then let it go. because you can control what you put into the world. but you can't control how the world receives it. |
An insight into my creative world, sharing my knowledge and experience, to help artists, songwriters and producers take their careers to the next level.
two years ago, I started a song that I couldn’t finish. it came from a writing session with a good friend of mine in London. I’d put together a quick instrumental idea beforehand, played it to him, and we spent a couple of hours writing a hook and a verse. and that was pretty much it. I went back home to Toronto knowing there was something special there. every few months I’d open the project again. change the arrangement. try some new sounds. add something. take something away. then...
my process when I start a song usually looks something like this. I'll spend some time throwing ideas around. most won't go anywhere. but eventually, one does. there's that moment where something clicks and I think, fuck yeah. this is special. so I start building it out. then I go deep. hours spent improving the production. layering sounds. changing instruments. working on the arrangement. adding things. taking things away. listening over and over again. I usually bounce the track and take it...
last week, I wrote about the part YouTube can't teach you. the judgement behind the technique. the ability to recognise what a song actually needs, make a decision, and trust it. today, I can finally share what I've been building around that idea. the producer room. a live, collaborative two week intensive where we'll work directly on your music, together, in real time. inside the room: four live working sessions. two optional Q&As. a private WhatsApp group for questions, accountability,...